27 Nights: How a Film Sparked Mental Health Law Reform in Argentina

The 73rd edition of the San Sebastian Film Festival is set to kick off on September 19 with the Argentine film “27 Nights” (“27 noches”), a fact-based dramedy starring and directed by Daniel Hendler, known for his work in “Lost Embrace.” Hendler also co-wrote the screenplay.

Produced by Netflix, the film’s creation is significant considering last year’s concerns that the new conservative government in Argentina might hinder the production of local films. Yet, “27 Nights” has successfully been brought to fruition.

“27 Nights,” inspired by Natalia Zito’s novel of the same name and a true story, chronicles the life of Martha Hoffman, portrayed by Marilú Marini. Martha is a quirky and immensely rich matriarch who finds herself forcibly admitted to a mental health facility by her daughters. The plot thickens as Dr. Casares, played by Hendler, is summoned to testify whether Martha’s institutionalization is a ploy by her daughters to usurp her wealth or if she genuinely suffers from mental illness that could pose a risk to her and others. The narrative sheds light on pivotal reforms in Argentina’s mental health laws, particularly the prohibition of involuntary institutionalizations.

Among the producers is Santiago Mitre, celebrated for his work on the Oscar-nominated “Argentina, 1985.” He collaborates with his partner from their production company La Union de los Rios, Agustina Llambi-Campbell, who also produced this engaging dramedy.

This project marks their first venture with Netflix, highlighting the crucial role streaming services are playing in sustaining Argentina’s struggling film sector. The movie is scheduled to be available globally on Netflix starting October 17.

Mitre told The Bangin Beats about the lack of governmental support for the national film law, which mandates the promotion of Argentine cinema. He appreciates that some platforms still value and invest in local cinema for its strong tradition and talented professionals. “27 Nights” enjoyed substantial creative freedom under Netflix’s production, according to Mitre.

Another Argentine film making its debut at the festival is “Belen,” directed by actress Dolores Fonzi and supported by Amazon MGM Studios, Mitre noted.

Llambi-Campbell highlighted the absence of public funding for Argentine films under the current government, stressing that no new projects have received state support in nearly two years.

Mitre added sarcastically that this reflects the president’s lack of cultural awareness.

Mitre shared insights into the script development for “27 Nights,” praising the collaborative effort that led to a film he describes as beautifully crafted, focusing on the nuances of human interaction rather than grand spectacles.

Furthermore, Mitre sees a subtle political dimension in the film, connecting it to Argentina’s current socio-political climate.

Llambi-Campbell commented on the economic situation in Argentina, noting that despite a stabilization in inflation, other economic indicators are worsening, making the country, particularly Buenos Aires, increasingly unaffordable.

Mitre emphasized the indirect commentary on political issues through the lens of the film industry, questioning the true cost of the so-called economic stability.

Llambi-Campbell reflected on the swift production process of the film, which moved from script finalization to principal photography within a year, culminating in its presentation at the San Sebastian Film Festival.

Both Mitre and Llambi-Campbell expressed their gratitude for the opportunity to showcase their work at such a prestigious event that honors Argentine cinema.

Mitre also acknowledged his longstanding relationship with the festival, recalling past accolades and expressing deep appreciation for the festival team’s recognition of their work as producers.