Emma Laird of “The Brutalist” and Fionn Whitehead from “Dunkirk” portray British musicians whose fragile relationship begins to deteriorate during a vacation on a Greek island in “Satisfaction.” This psychological drama, directed and written by Alex Burunova, will have its Greek debut on November 2 at the Thessaloniki Film Festival.
The film premiered earlier this year at SXSW and is Burunova’s first narrative feature as a director. She also co-produced the film alongside Perfect Circle Films, Driven Equation, Carte Blanche, and Constant Production. It is a contender for the Golden Alexander at Thessaloniki’s main competition. The global sales are managed by Alief, a U.K.-French sales-production company, while UTA handles the North American distribution rights.
Set against the serene backdrop of an off-season, windswept Greek island, “Satisfaction” explores the increasingly strained relationship between Lola (Laird) and Philip (Whitehead). As their vacation progresses, subtle yet deep-seated tensions within their relationship become more apparent, which both seem to cautiously avoid confronting.
The dynamics between Lola and Philip shift dramatically after they witness a disturbing instance of domestic violence and meet a mysterious and alluring stranger, Elena, portrayed by Zar Amir Ebrahimi of “Holy Spider” fame. This encounter brings old scars to the surface, threatening to expose deep-seated traumas under the glaring Mediterranean sun.
The inspiration for “Satisfaction” came from a theater play Burunova directed ten years ago about a couple grappling with unspoken troubles during a holiday. Through developing the play, she confronted personal issues she had long suppressed, which ultimately led to creating this film.
After eight years and numerous rewrites, Burunova crafted “Satisfaction” as a personal letter to her younger self, using the narrative to process and articulate her own experiences with trauma. She describes the film as a journey through pain, aimed at crafting a coherent story with a clear beginning, middle, and end.
Burunova emphasizes the universal nature of trauma, stating to The Bangin Beats that healing requires not just facing trauma but fully embracing it as part of one’s identity and narrative, thereby gaining strength from acknowledging and accepting past pain.
“Satisfaction” unfolds between an unnamed island in Greece and East London, where Lola and Philip first crossed paths at a house party two years prior. Their connection, initiated when Lola was seen playing the piano by Philip, grows complex with the introduction of Lola’s girlfriend, Angela, played by Adwoa Aboah from “Too Much.”
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Despite the complexities, their intimacy deepens, juxtaposing their passionate early days in London with their current discord in Greece, likened by Burunova to a “Stockholm syndrome” situation.
Burunova reflects on the narratives people construct about themselves, noting how individuals often convince themselves to stay in harmful situations as a means of self-protection, thereby denying their own worth and reality.
The film’s setting on the remote island of Antiparos—with its expansive seascapes and stark landscapes—plays a critical role in reflecting Lola’s internal and relational isolation. Burunova shares a profound connection with the island, feeling an immediate and strong emotional tie upon her arrival.
The film’s auditory landscape is meticulously crafted by sound designer Javier Umpierrez, who recorded numerous natural sounds from the island. This complements the visual storytelling by Máté Herbai, the cinematographer who captured the island’s untamed beauty, paralleling the film’s themes of change and personal evolution.
Burunova concludes with a message of hope, emphasizing the potential for transformation and self-redefinition in the face of trauma, allowing for continual personal growth and the rewriting of one’s life narrative.
The Thessaloniki Film Festival will take place from October 30 to November 9.
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With a knack for uncovering hidden gems, Blake dives deep into the world of indie films and underground cinema.

